Print Exhibition

November 5th, 2007

Poster Thumb

The Artist shop in Douglas is having an exhibition of my new Manx landscape prints. The show will run from Friday the 16th – Saturday the 24th of November. The prints are limited editions 1/10 and are only available from the ‘The Artist’ 37 Nelson St. Douglas. Tel 629851. Open 9:30 – 5:00 Mon-Sat.

The print editions are very small making each one highly collectable. Images of all 11 of the prints will be posted on this site giving a sneak preview of the entire exhibition. Phone your order ahead or see the prints in the flesh at ‘The Artist’ from the 16th of November.

Prints are:-

* Limited edition of 1/10. Numbered and signed in pencil by artist.
* Artist emboss/chop stamped on border.
* Pigment ink on archival, acid free German etching paper.
* A3+ paper size.
* Price £65

Port Navas and Gweek Cornwall

October 8th, 2007

PortnavasflagsthumbGweekpthumb

Two more from the Cornish collection of pastel paintings. The flags are out for Port Navas regatta in this rather mysterious painting. The second work has an unusual feel too. This time the subject is a boat undergoing a refit in Gweek boatyard.
Though these paintings are not a pair they seem to compliment each other. The strong, bold compositions and similar primary colour scheme create parallels. Not to mention the nautical theme.

The maritime signaling flags from left to right as far as I can ascertain are:-

Pennant

First Substitute / Substitute 1

Yellow and blue check

L – you should stop, I have something important to communicate
or In harbour: the ship is under quarantine

White rectangle on a blue ground

P – the Blue Peter – all aboard, vessel is about to proceed sea.

1 – At sea: Your lights are out or burning badly

2 – At sea: It may be used by fishing vessels to mean: “My nets have come fast upon an obstruction”.

Red, white and blue bands

T – do not pass ahead of me

Keep clear of me; I am engaged in pair trawling.

Seemingly no special secret messages spelled out so a good guess as to their meaning could well be ‘ Regatta week, have a great time messing around in boats!’

“Port Navas Regatta”
image size – 25 x 30.9cm (9.8 x 12.1″)

“Refit at Gweek”
image size – 25 x 32cm (9.8 x 12.6″)

Prints are:-

* Limited edition of 1/10. Numbered and signed in pencil by artist.
* Artist emboss/chop stamped on border.
* Pigment ink on archival, acid free German etching paper.
* A3+ paper size.
* Price £65 + P&P – (£1 local IoM, £2 UK, £6 RoW.)

The print is gently rolled to post in a tough, plastic capped postal tube, 4″ dia. To order please contact.

Snow, West Looe valley Cornwall

October 5th, 2007

SnowfieldswlooevalleyOxfordcornerwlooevalley

SowdensdenbgewlooevalleySowdensbridgefiligreesnow

Second post of Cornish work.
Pastel paintings of snow scenes based around the top of the West Looe Valley. The way snow transforms a winter landscape is nothing short of magical, a real treat in our neck of the woods. A winter wonderland of exquisite pristine contrasts . Snow can lift our receptivity to the forms around us to such heights so suddenly, the quiet flurry fall of a white blanket like no other. Brilliant stuff!

Prints of these pastels are available.

“Snow Fields, West Looe Valley”
image size – 25.6 x 25cm (10.1 x 9.8″)

“Oxford Corner, West Looe Valley”
image size – 34.3x 25cm (13.5 x 9.8″)

“Sowdens Bridge, West Looe Valley”
image size – 22.9 x 25cm (9 x 9.8″)

“Sowdens Bridge, Filigree Snow”
image size – 23 x 25cm (9.2 x 9.8″)

Prints are:-

* Limited edition of 1/10. Numbered and signed in pencil by artist.
* Artist emboss/chop stamped on border.
* Pigment ink on archival, acid free German etching paper.
* A3+ paper size.
* Price £65 + P&P – (£1 local IoM, £2 UK, £6 RoW.)

The print is gently rolled to post in a tough, plastic capped postal tube, 4″ dia. To order please contact.

Golitha Falls Cornwall

October 5th, 2007

GolithabouldersthumbGolithabridgethumb

GolithaquicksilverthumbGolithavelvetrockthumb

I thought I would put up a post on the Cornish pastel paintings I have made.

The first off being these four from Golitha Falls. A wonderful place of maze like tracks crisscrossing ancient woodland, all eventually becoming paths running parallel to the rivers course. Itself flowing from placid pools to running the gauntlet of huge boulders, creating tumultuous torrents and a magnificent din. All this bathed in a mercurial dappled light. Just the ticket.

Prints of these pastels are available.

“Golitha Boulders”
image size – 25 x 25cm (9.8 x 9.8″)

“Golitha Bridge”
image size – 25 x 26cm (9.8 x 10.2″)

“Golitha Quicksilver”
image size – 25 x 25cm (9.8 x 9.8″)

“Golitha Velvet Rock”
image size – 25 x 26cm (9.8 x 10.2″)

Prints are:-

* Limited edition of 1/10. Numbered and signed in pencil by artist.
* Artist emboss/chop stamped on border.
* Pigment ink on archival, acid free German etching paper.
* A3+ paper size.
* Price £65 + P&P – (£1 local IoM, £2 UK, £6 RoW.)

The print is gently rolled to post in a tough, plastic capped postal tube, 4″ dia. To order please contact.

The poetry that Norman taught us

September 26th, 2007

nspainting

N. S. 1926 – 2007

Norman’s funeral today.

Since hearing of his death I have realised how strange the landscape of manx art is without him. His wonderful paintings sing on, though no new ones will appear for our minds to delight in. I miss him already. He excavated our landscape. Crafted with his weather eye for the extraordinary, his paintings are gems to be treasured.

N.S… sleep in Brides bright bosom, an earthgrip of tenderness for one of Mann such as you.

A favorite poem he would share with students and friends was The Ruin. Norman loved the word Earthgrip. We love it too.

THE RUIN

Well-wrought this wall: Wierds broke it,
The stronghold burst….

Snapped rooftrees, towers fallen,
the work of the Giants, the stonesmiths,
mouldereth.

Rime scoureth gatetowers
rime on mortar.

Shattered the showershields, roofs ruined,
age under-ate them.
And the wielders & wrights?
Earthgrip holds them – gone, long gone,
fast in gravegrasp while fifty fathers
and sons have passed.
Wall stood,
grey lichen, red stone, kings fell often,
stood under storms, high arch crashed -
stands yet the wallstone, hacked by weapons,
by files grim-ground…
….shone the old skilled work
….sank to loam-crust.

Mood quickened mind, and a man of wit,
cunning in rings, bound bravely the wallbase
with iron, a wonder.

Bright were the buildings, halls where springs ran,
high, horngabled, much throng-noise;
these many meadhalls men filled
with loud cheerfulness: Wierd changed that.

Came days of pestilenece, on all sides men fell dead,
death fetched off the flower of the people;
where they stood to fight, waste places
and on the acropolis, ruins.

Hosts who would build again
shrank to the earth. Therefore are these courts dreary
and that red arch twisteth tiles.
wryeth from roof-ridge, reacheth groundwards…
Broken blocks…

There once many a man
mood-glad, goldbright, of gleams garnished,
flushed with wine-pride, flashing war-gear,
gazed on wrought gemstones, on gold, on silver,
on wealth held and hoarded, on light-filled amber,
on this bright burg of broad dominion.

Stood stone houses; wide streams welled
hot from source, and a wall all caught
in its bright bosom, that the baths were
hot at hall’s hearth; that was fitting…
……….

Thence hot streams, loosed, ran over hoar stone
unto the ring-tank….
…It is a kingly thing
…city….

Translated by Michael Alexander.




Peel and Ramsey Architectural Gems

June 12th, 2007

Market Place TowerDeco Cafe

Strong architectural subjects for the latest pastels. First up is “Market Place Tower, Peel”. A strong composition of light and shade, taughtly strung with a web of telephone wires, all to the backdrop of an intense blue sky zapping the white wash to the max!

Next is the “Deco Cafe at Mooragh Park, Ramsey”. This star of a building is sited next to the boating lake. Strong early morning sunlight setting off the juxtaposed curve and straight / round and square dynamic of this Deco design. Pristine contrast again the order of the day.
These paintings can be seen at the Courtyard Gallery as part of their “Courtyard Artists’ Summer Show”. The exhibition details are :-

“Courtyard Artists’ Summer Show”

15th of June to the 8th of July.

Courtyard Gallery, Tynwald Mills, St Johns.
Tel: 01624 801108 (1-5pm)

Prints of these pastels are available.

“Market Place Tower Peel”
image size – 25 x 26cm (9.8 x 10.2″)

“Deco Cafe Mooragh Park, Ramsey”
image size – 26 x 33cm (10.2 x 13.1″)

Prints are:-

* Limited edition of 1/10. Numbered and signed in pencil by artist.
* Artist emboss/chop stamped on border.
* Pigment ink on archival, acid free German etching paper.
* A3+ paper size.
* Price £65 + P&P – (£1 local IoM, £2 UK, £6 RoW.)

The print is gently rolled to post in a tough, plastic capped postal tube, 4″ dia. To order please contact.

Stained Glass

May 23rd, 2007

Leading upCutline pattern

Two photos above showing a recently commissioned 3′ x 2′ stained glass panel under construction. These images are at the leading up stage. The cutline pattern can be seen beneath the glass. The design was created entirely in photoshop using collage techniques. The cutline pattern is scaled up from the design. It is annotated with the number, colour and type of glass for each specific position.

The photo on the left shows the panel growing at approx. 45 degrees from the bottom left corner using the L shaped edging batons to work up against. Traditionally horse shoe nails are used to temporarily hold the panel together while under construction. In this case modern glazing tacks have been substituted.

The lead is called ‘came’ and comes in an ‘I’ section; the vertical called the ‘heart’ and horizontals known as the leaves. The leaves are gently lifted using a lead knife or a wooden/plastic fid to accept the glass, which fits snug up to the heart of the came.

Lead twistedLead straight

These photos show before and after the work hardening/straightening of the lead. The came arrives from the supplier, all twisted and buckled due to coiling, a method of space saving for transit. This is a shock if your unfamiliar with the recovery achievable. The came looks unusable.

One end of the lead is placed in the grip of a special lead vice and the twists are unraveled. Gripping the lead in pliers, it is stretched. This miraculously straightens and work hardens the lead making it easier to handle. See straightened lead in photo on the right.

Leading up-2Tool tray
The above photos show the panel with its joints soldered and a tray of tools.

A printout of the design for quick reference can be seen in the tray along with glazing tacks, brass bristled brush and a tallow candle. Each joint is cleaned with the brass brush and then fluxed with tallow. A 100w soldering iron is used to dab melt blowpipe solder onto each joint. The leaves are then lifted and puttying up is done to consolidate the glazing. Leaves are smoothed down, excess putty removed and then the panel is flipped to allow the same process on the back.

Apart from the metal frame support the panel is complete. The re-bar is held in place by copper wire twist tags soldered into place at an existing joint point.

The photo below shows the finished panel installed in the window reveal, awaiting final fixing. A single sheet of float glass will be installed to sound and condensation proof from utility area beyond.

Stained glass

Rose tinted Eagle Eyes

May 4th, 2007

Eagle Eyes

Eagle Eyes was a type of Action Man I had as a kid. Only got the head left now. Body missing in action. Eagle Eyes got his name from his ability to scan the horizon with those big blue eyes by moving a lever from side to side in a slot at the back of the head. Takes me back to grappling hooks made from hair pins and string used to scale the fireguard. Ace! As mentioned I have still got the head and a wooly jumper (Action Man size) made by me Mum (x). The picture and post seems to be a little tribute to the survival of children’s artifacts/toys through the battles of childhood and beyond to the Elysian Fields of grown up treasures… Bliss!

Eagle Eyes prints are:-

* Limited edition of 1/10. Numbered and signed in pencil by artist.
* Artist emboss/chop stamped on border.
* Pigment ink on archival, acid free German etching paper.
* A3+ Image size 29.7×36.4 cm 11.7×14.3″
* Price £65 + P&P – (£1 local IoM, £2 UK, £6 RoW.)

The print is gently rolled to post in a tough, plastic capped postal tube, 4″ dia.To order please contact.

Ice Diving Boots Print

May 2nd, 2007

Ice Diving Boots

The ghostly ‘Ice Diving Boots’ print now available.

The prints are:-

* Limited edition of 1/12. Numbered and signed in pencil by artist.

* Artist emboss/chop stamped on border.

* Pigment ink on archival, acid free German etching paper.

* A3+ Image size 29.7×39.6 cm 11.7×15.6 ”

* Price £65 + P&P – (£1 local IoM, £2 UK, £6 RoW.)

The print is gently rolled to post in a tough, plastic capped postal tube, 4″ dia. To order please contact.

Diving Boots Print

February 23rd, 2007

Divingboots

The bleached out watercolour goes down a treat with the subject
matter of this still life.

An unusual set of boots to kick off with, especially as these diving.
boots weigh in at 18 Kg or a tad under 3 stone in old money.

This print is the first of ours available on the excellent Hahnemuhle acid
free, German etching paper, itself weighing in at a considerable
310 g/m2. Two heavy weights for the price of one!

The prints are:-

Limited edition of 1/12. Numbered and signed in pencil by artist.
Artist emboss/chop stamped on border.
Pigment ink on archival acid free German etching paper.
A3+ paper. Image size 29.7 x 34.9 cm, 11.6 x 13.7″
Price £65 + p&p
P&P – £1 local IoM, £2 UK, £6 RoW

The print is gently rolled to post in a tough, plastic capped postal tube, 4″ dia.
To order please contact.